Four
Historical Stages of the Indigenization of Chinese Christian Art
He Qi
March 28, 2000
China's Christian Art have experienced four stages in the process
of its contextualization and indigenization:
1. The Stage of Nestorian (The Period of The Tang and Yuan Dynasties);
2. The Stage of Catholic Jesuits (The
Period of The Ming and Qing Dynasties);
3. The Stage of Semi-Colonialism (The
Period of the late 19th century and early 20th century); and
4. The Stage from the 1980s to the Present.
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Part One: The Stage of Nestorian
(The Period of The Tang and Yuan Dynasties):
The Nestorians came to China in the 9th year of Tang Emperor Zhen
Guan (635 A.D.). Emperor Tai Zong and Emperor Gao Zong of the Tang
Dynasty, courteously received and treated the Nestorians well in
the Imperial Court. During the reign of Emperor Tai Zong, because
of the respect the Emperor held for Olopen who was a missionary
from Persia, cathedrals were allowed to be built for him and were
decorated with western and central Asian hues. Indigenous Chinese
decoration was not stressed. In the 12th year of Zhen Guan, Emperor
Tai Zong built a cathedral specially for the Persian missionary
Olopen and named it "The Persian Cathedral". By the time
of Emperor Gao Zong's reign, there were Nestorian Cathedrals built
in every prefecture. As the Nestorian Tablet recorded: "Cathedrals
are in every city and the Gospel is pervasive and popular."
From the time of the Tang Emperor Xuan Zong, Nestorians tended to
strengthen the outside package of Nestorianism to be Chinese and
Buddhism as well. This was done because Buddhism was strongly supported
by Wu Ze Tian when she became the Empress. Buddhism had already
been packed very well with indigenous Chinese traditional art in
central China, which to some extent, made Nestorians frustrated
in their mission in China. There were even cases where Nestorian
cathedrals were destroyed. In order to have a firm stand in central
China, Nestorianism had to pack itself to be Chinese and to be Buddhism
also, so that it could have more space for greater development.
A typical example is: The Tang Emperor Xuan Zong, had a compassion
for Nestorians. He gave order to his brothers to repair a ruined
cathedral. He asked that an altar to erected inside the cathedral,
and more than that, he asked that the portraits of the five late
emperors be put inside the cathedral as protective deities. The
five late emperors were Gao Zhu, Tai Zong, Gao Zong, Zhong Zong,
and Rui Zong. Because Buddhism was so prosperous in central China
then, and in order to compete with Buddhism, Nestorians who came
later from the West, tried in every way to absorb and mingle into
their outside package some of the Buddhist plastic art. Therefore
in the 5th year of Hui Chang (845 A .D.), when the Tang Emperor
Wu Zong promulgated the decree to get rid of Buddhism, Nestorianism
suffered as well because of its similar outside package to Buddhism.
The Tang Dynasty's "Nestorian Tablet" (Picture
1) was a typical paradigm that survived, which demonstrated
the tendency of Nestorianism to be Chinese and Buddhism. The Tablet
was built in the 2nd year of Jian Zhong, in the reign of the Tang
Emperor De Zong (781 A.D.). By that time, Nestorianism had already
been in China for a century and a half and had finally yielded Chinese
fruit. Apart from the epigraph and the format of the Tablet pattern
which are so traditional Chinese, on the top part of the Tablet,
there are the typical Buddhist lotus pedals encircled with auspicious
clouds under the Cross, which revealed that Nestorianism in China
blossomed as a Buddhist flower, but bore Christian fruit.
In the middle of the 9th century when Buddhists were persecuted
in the period of the Tang Emperor Wu Zong, Nestorianism became almost
extinct as more than 2000 Nestorian missionaries were driven out
together with Buddhist monks. There is no recorded proof of the
existence of Nestorianism down to the Song Dynasty. According to
the study by Xu Rulei, a professor at the Jinling Union Theological
Seminary, there was once an Nestorian top leader who sent an investigator
to China in the early Song Dynasty (980 A.D.) and after the investigator
traveled over the country, he found only one Nestorian follower.
After the fierce military invasion of the Mongolian Yuan entered
the central region, the Song Dynasty enjoyed only a limited part
of China. From the period of the late Tang to the early Song dynasties,
Nestorianism gradually removed to those regions such as the marginalized
minority area north of the Great Wall, the south eastern coastal
area as well as the north eastern parts of the country. It was not
until the 13th century when the Mongolian minorities established
their power, was Nestorianism able to spread to the central part
of China and was greatly developed again. By the year of Shun Yuan
(1330 A.D.), Nestorianism had a membership of over 300 thousand.
At that time, Nestorianism and Catholicism which had come to China
by then, were both recognized as the religion of "Ye Li Ke
Wen", though, they actually were different denominations. Further,
their outside package was different as well. For example, Giovani
da Montcovino, the Franciscan missionary who was sent to China by
the Pope, did not agree with the tendency of Christianity being
indigenous. The evangelistic materials which he brought with him
were filled with illustrations of Western style art. The traditional
Nestorianism on the contrary, obviously revealed its indigenous,
Buddhist tendency in its outwardly wrapped package, such as the
Nestorian grave stone unearthed in Yanzhou (Picture 2), the top
part of which was found the form of the lotus cross which was similar
to that of the Nestorian Tablet.
The Nestorian outer Buddhist package was also clearly found on several
other Mongolian Yuan Nestorian crosses unearthed in the He Tao area,
Gansu Province (Picture
2). These crosses were usually used by Nestorians as entombed
articles. The crosses were decorated with Buddhist Transmigration
ideograms of "nedemktion", which implied that Nestorians
had put the Buddhist Transmigration doctrine into the Christian
teachings of redemption and everlasting life. According to the newest
archaeological findings, there were pictures of Nestorian angels
unearthed. There is no archaeological proof, however, that these
angels were similar to the Buddhist Fei Tian in China.
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